Unit 46 Audio Visual Promos

LO4: [Contingency] Final Audio Media Product

LO2: BBFC and Ofcom Regulations

The BBFC (British Board of Film Classification's) guidelines on 'Violence' and 'Discriminations' will need to be adhered to based on the content of our film trailer. We need to follow the guidelines in order to ensure that the trailer does not show any content which could be deemed offensive and would have to be removed by the BBFC.

It is important to follow the BBFC regulations because if we didn't then people could be offended by the content that we produce. Also the trailer would be at risk of being deemed offensive and being removed.

When creating the trailer for All Hail the Chocolate Dragons we need to ensure that we do not focus on pain when introducing violence into the trailer. We also need to ensure that the language does not include anything which could be deemed offensive.

The production of All Hail the Chocolate Dragons adheres to the rules of the BBFC because we have not shown any content which is too graphic and could offend anyone. We have made sure that the language which appears in our trailer is not too strong because it is a comedy trailer and we wouldn't want to limit the age limit of the trailer because it isn't necessary to use the language, and it would limit the demographic of our film trailer.

LO4: [Contigency] Shot Logs

LO3: [Contigency] Team Contribution

LO2 - Documentation

Joe Taylor - Risk Assessments, Recce sheets, Shot logs , location scouting

James Hartshorn - Treatment, Edit logs , location scouting

Andrew Quinn - Treatment, Recce sheets, Edit logs, location scouting, Script

Kenneth Abrina - Script, Storyboards

LO3 - Filming

Joe Taylor - Cameraman, Costume and Makeup

James Hartshorn - Costume and Makeup, Actor

Andrew Quinn - Actor

Kenneth Abrina - Cameraman, Audio

LO4 - Editing

Joe Taylor - Speeding up footage, adding lighting and colour tones.

James Hartshorn - Moving around footage in the main project file.

Andrew Quinn - Moving around footage in the main project file, adding sound effects and transitions.

Kenneth Abrina - Creating the title graphics and logo.

[Contigency] Corruption Phase - Footage Analysis

Footage 1
This is a shot of Daniel running to his car and getting in which connotes excitement through his rush to the car. There is also an alternative camera angle in this to have more of a jumping around connotation.

Footage 2
This is a shot of Daniel running to his car and getting in which connotes excitement through his rush to the car. There is also an alternative camera angle in this to have more of a jumping around connotation.

Footage 3
This is a shot of Daniel picking up the envelope to have multiple shots for the sake of variety. This version of the shot is from inside the car which is to get people used to the interior of the car as it is used again for the key turn and the radio.

Footage 4
This scene is where Daniel pulls out the contents of the envelope to check what they are. This will interest the audience by making them wonder what the contents are, and the only way they'll find out is by watching the film, meaning the trailer would have done its job in advertising the movie.

Footage 5
This scene is a way to add in the montage music to the trailer in a way of mixing digetic and non-digetic sound, as the music gets louder as the volume is turned up on the car stereo.

Footage 6
This is one of the scenes that kick off the montage as the key turn connotes that he'll be driving, and also there will be a speed up to the turn and have it as a half second or so clip, connoting that he will be driving quickly to the point to his destination, making the audience want to wonder what kind of business there will be.

Footage 7

This is what kicks off the montage scene as this is the first scene since the music kicks in. However whether we use this or not is up to how much it fits with the other scenes, as the montage consists of more fast paced scenes, which this isn't.

Footage 9

DANIEL'S OFFICE

DANIEL looking out of window turning on phone. Slow fade to another angle. (3 seconds)

DANIEL

I need more to go with.

DANIEL'S FRIEND

Well it's your lucky day, I think I might've found who you're looking for. (3 seconds)

This is one of the several clips of footage we took of Daniel saying this line "I need more to go with." This is denoting part of the disequilibrium and also raising questions within the person who's viewing this mind.

Footage 10

DANIEL'S OFFICE

DANIEL looking out of window turning on phone. Slow fade to another angle. (3 seconds)

DANIEL

I need more to go with.

DANIEL'S FRIEND

Well it's your lucky day, I think I might've found who you're looking for. (3 seconds)

Footage 8

FADE TO

Daniel on the phone, listening to his friend

This is the scene of Daniel listening to someone within the story-world say - “Looks like they’re coming for you.” (Throws phone away) (4 seconds). This will be recorded on a Tascam and it would be classed as Diegetic. This could potentially be the footage we use, it will appear after the title as we are already starting off with some sort of mystery, making the audience wonder what Daniel is talking about and therefor sell the film a little more which is the purpose of a trailer.

Footage 11

DANIEL'S OFFICE

Past scene of Daniel doing work in his office (2 seconds)

This footage is of Daniel working in his office to show that he is a normal person and to try and make him seem relatable before the turn of events that happen to him. This is a past scene to try and make the audience more interested in the turn of events that will transpire within the actual film. This shows the equilibrium that will be within the film.

[Contigency] Production for Corruption Phase

Production

Pre-production

We are going to collect audio effects which can be used when editing the radio show. We will also be researching what we are allowed to say on the radio in order to ensure that we do not offend the audience.

Production

We will be recording the audio which will be part of the radio show, it will include the hosts who are talking to each other and help the audience to understand that the show is Sci-Fi and will entertain audiences who will enjoy listening to show's content which is about "glorious space chefs."

Post-Production

During post-production we will be editing the audio which our hosts have produced for the show. We will be creating a jingle and adverts which will make the show recognisable and allow pauses in the show in order to make it more exiting.